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Categories: Adult-Muscle-Videos
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Brush Creek Media publishes magazines like Bear, Bunkhouse and International Leatherman.
So it’s no surprise that Brush Creek videos contain themes specializing in leathersex and casts of 35-and-older men with waistlines larger than the average porn-starlet’s.
Sometimes the studio’s videos (many titles feature the word “bear”) are too specialized for mainstream aficionados.
But every now and then, Brush Creek records some of the hottest all-male smutsex.
Bad as We Oughta Be is shot at the Loading Dock Bar — where the patrons sip beers and fraternize wearing jockstraps or chaps and nothing else.
Bartender Jackson Reid assists an interracial love-connection between buff-tough Max Stone and ebony superstud J.C. Carter.
In the backroom, Carter rests his ample booty on a sling as Stone spits, deep-kisses and manhandles his prey.
Brush Creek Media says “Bad as We Oughta Be” challenges leathermen “to push their sexual limits beyond anything they’d ever done.”
Soon Carter gets a dog collar around his neck, and Stone breaks out the latex gloves to warm up his sling-mate for more intense action.
Brush Creek doesn’t spend much on body makeup or grooming, which might add to authenticity. But that doesn’t mean the closeups of models pushing their sexual-limits are always camera-ready alluring.
However, Stone and Carter know how to turn up the heat and make their work look arousing.
Back in the Loading Dock’s main room, furryman Frank Parker, bartender Reid and his younger studly boyfriend, Griffin, take turns dropping to their knees for a quick, oral threeway.
Parker and Reid then invite Griffin back to their chain-link decorated recreational room to “try out some things they’ve been hoping to do” with a third party.
This scene is a fine example of Brush Creek’s ability to capture scorching-hot manplay.
Parker, Griffin and Reid all are experienced sexperts and know how to have fun in a way that cutie-pie youngsters hardly ever exhibit.
They also play well with each other without resorting to unnecessary roughhousing.
For a big finish, these dirty daddies break out the love toys and exhaust each other entirely until all three — drenched in sweat, spit and lube — are completely drained.
The final scene between Rusty Scott and Sam Bare is a half-hour homage to leather gear.
If either of these men were overly photogenic, their S/M demonstration might have been enticing.
Scott ties up Bare crucifixion-style to a latticed net of ropes, then blindfolds, gags, whips and even breaks out a prickly pizza-cutter-looking device on Bare.
Scott is a talented flogger with single- and cat-o-nine-tail whips.
But watching him flog — rather than experiencing his technique — is a weak substitute.
Brush Creek has a tremendous and satisfied bear-lover following.
But sometimes the studio’s knack for depicting awesome gay sex with hot daddies is undeniable.
So it’s no surprise that Brush Creek videos contain themes specializing in leathersex and casts of 35-and-older men with waistlines larger than the average porn-starlet’s.
Sometimes the studio’s videos (many titles feature the word “bear”) are too specialized for mainstream aficionados.
But every now and then, Brush Creek records some of the hottest all-male smutsex.
Bad as We Oughta Be is shot at the Loading Dock Bar — where the patrons sip beers and fraternize wearing jockstraps or chaps and nothing else.
Bartender Jackson Reid assists an interracial love-connection between buff-tough Max Stone and ebony superstud J.C. Carter.
In the backroom, Carter rests his ample booty on a sling as Stone spits, deep-kisses and manhandles his prey.
Brush Creek Media says “Bad as We Oughta Be” challenges leathermen “to push their sexual limits beyond anything they’d ever done.”
Soon Carter gets a dog collar around his neck, and Stone breaks out the latex gloves to warm up his sling-mate for more intense action.
Brush Creek doesn’t spend much on body makeup or grooming, which might add to authenticity. But that doesn’t mean the closeups of models pushing their sexual-limits are always camera-ready alluring.
However, Stone and Carter know how to turn up the heat and make their work look arousing.
Back in the Loading Dock’s main room, furryman Frank Parker, bartender Reid and his younger studly boyfriend, Griffin, take turns dropping to their knees for a quick, oral threeway.
Parker and Reid then invite Griffin back to their chain-link decorated recreational room to “try out some things they’ve been hoping to do” with a third party.
This scene is a fine example of Brush Creek’s ability to capture scorching-hot manplay.
Parker, Griffin and Reid all are experienced sexperts and know how to have fun in a way that cutie-pie youngsters hardly ever exhibit.
They also play well with each other without resorting to unnecessary roughhousing.
For a big finish, these dirty daddies break out the love toys and exhaust each other entirely until all three — drenched in sweat, spit and lube — are completely drained.
The final scene between Rusty Scott and Sam Bare is a half-hour homage to leather gear.
If either of these men were overly photogenic, their S/M demonstration might have been enticing.
Scott ties up Bare crucifixion-style to a latticed net of ropes, then blindfolds, gags, whips and even breaks out a prickly pizza-cutter-looking device on Bare.
Scott is a talented flogger with single- and cat-o-nine-tail whips.
But watching him flog — rather than experiencing his technique — is a weak substitute.
Brush Creek has a tremendous and satisfied bear-lover following.
But sometimes the studio’s knack for depicting awesome gay sex with hot daddies is undeniable.
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